Thursday, December 18, 2014

The Theory of Everything (2014)

Almost since the beginning of conscious thought, humans have looked up to the sky and asked themselves one question, what is the meaning of it all? Over time we as a species have come up with thousands of solutions and millions of answers, but none that have ever been concrete enough to convince even a majority that any one answer is true. Many great scientists in time have contributed their most valiant efforts in an attempt to find the answer, and their results, while not providing an overall answer brought us farther than we ever believed possible. Men like Einstein, Newton, and the latest great mind of our generation, Stephen Hawking. Stephen Hawking may have brought us even closer than he can even know, for Hawking has provided us with the best hope for a solution that we’ve ever had; he’s given us an almost sure bet, now we just have to figure out what it is. For now, all we really know is the one thing Hawking and so many others, scientists and non-scientists alike, are completely obsessed with, time. What exactly that means is unclear, but one thing is clear; if you can find the one equation that can allow us to completely understand time and how it works, we can figure out the one equation that explains our entire universe, or so goes the theory of everything.

Surprisingly, the film The Theory of Everything doesn’t go into great detail on Hawking’s scientific exploits although it does devote a satisfying portion of the film to it it’s certainly not about it. On the contrary, The Theory of Everything is a love story, and it’s as equally heart-warming as it is heart-breaking. When we’re introduced to Hawking, he’s a gangly, awkward, nerdy fellow, with a sheepish grin and a shy slump. I can’t explain why exactly but he’s immediately likable and even though he’s a bit strange I can fully understand the future Mrs. Hawking’s attraction. It’s clear that she’s immediately taken by him and you can only wonder what their life would have been like had tragedy not struck them both.

I would hope by now everyone knows of the infamous Lou Gehrig’s disease that has afflicted Stephen Hawking, so I won’t say spoilers here; the film doesn’t waste any time getting there and hints of his debilitating health are sprinkled in early and often. Here I have to take a moment and really commend Eddie Redmayne and the amazing job he does of bringing Stephen Hawking to life. It’s fascinating to watch as he goes through each progressive stage of the disease and its clear Redmayne really dedicated himself to learning exactly how the disease affects the human body. What he’s done here with his physical performance alone is incredible and he definitely deserves at least a nomination for best actor.

The real story (and mystery) is the relationship between Stephen and Jane Hawking, and this is what truly makes the story beautiful and tragic. Hawking learned of his disease at an early age, right after he and Jane began dating, and was told he had only two years to live (doctors, am I right?). Despite being told she was picking a losing battle, Jane swears to stay with Hawking and love him until the disease takes him from her. There’s only one problem, he doesn’t die in two years, or in ten, or in twenty. Stephen Hawking continues to live on and even though he can barely manage a few words a minute, he continues to contribute his brilliant theories to the world of science, as his brain is now his one and only thing he can still hold dear. Unfortunately, his brain is about the only thing that he can still properly use, and this makes life incredibly difficult for his loving wife.

Certainly, Jane Hawking is commendable for the challenge she willingly took upon herself and she tries (and to a point succeeds) her very best at creating a normal family with him, and she stays with him to the very end, fiercely if almost reluctantly loyal. However, the wear and tear of the disease affects not only her husband, and it is clear that she seems sad and depressed throughout most of the film. Still her faithfulness to her husband is admirable, even when she is faced with the grave temptation of her husband’s volunteer care-taker, the director of the church choir. Their chemistry together is obvious and it seems even Stephen Hawking can’t ignore it, but we can tell he understands, although it saddens him.

This is what makes the film so endearing though, studying Jane and Stephen’s relationship. They shouldn’t work for so many reasons and a lot of times they don’t, but when they do, it all makes sense in the most beautiful way. They have so many differences, Jane is a devoted Christian, Stephen doesn’t believe in God, however, we can tell that Jane respects his genius and in the same way, Stephen respects and is also amused by her faith. He can almost never admit it, but in a way I think he is almost jealous of how sure she is that her faith and her answer for life is right, something that a true scientist can never allow himself to have.


The ending of the film is one of the better resolutions I’ve seen; I won’t spoil it but it goes hand in hand with Hawking’s original theory on how time and the universe operates. This isn’t an incredibly detailed documentary film on Hawking’s life; rather it is a poetic overall synopsis of his life and his legacy, and it certainly does him justice. It’s good to see one of the more brilliant minds of our time get a biopic he deserves, even if Steve Jobs can’t seem to get one.

-Ryan Maples

Rating: 8.75


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